Shiroishi / Tiesenga – Empty Vessels
Label: |
Full Spectrum Records – FS107 |
|---|---|
Format: |
Vinyl, LP, Album
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Avant-garde Jazz, Dark Ambient, Experimental |
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Patrick Shiroishi / Marta Tiesenga - Empty Vessels - Mint- LP Record 2022 Full Spectrum Vinyl - Avant-garde Jazz / Ambient / Experimental
Patrick Shiroishi / Marta Tiesenga - Empty Vessels - Mint- LP Record 2022 Full Spectrum Vinyl - Avant-garde Jazz / Ambient / Experimental
| A1 | Open Wide, O Earth | |
| A2 | The Clouds That Were My Unfurling Thoughts | |
| B1 | On A Stone Pillow | |
| B2 | The Light Inextinguishable |
- Pressed By – Hand Drawn Pressing – HDP8417
- Lacquer Cut At – Welcome To 1979
- Artwork By – Marta Tiesenga
- Lacquer Cut By – Bobbi*
- Layout – Gretchen Korsmo
- Liner Notes – Lance Garza
- Mastered By [Vinyl Pre-Master] – Andrew Weathers
- Mixed By, Mastered By – Weston Olencki
Recorded live underneath the Jazz Cat in Monterey Park, CA on the 30th of September, 2020.
"Recorded during the early days of the pandemic in an underground tunnel located beneath a shuttered hot pot restaurant, ‘Empty Vessels’ stands apart as a remarkable document of almost architectural sound, in a sense, with the natural reverb of the tunnel asserting itself as a third player in the ensemble. Indeed, the natural acoustics of the space evoke a palpable sense of isolation and uneasiness. Fragments of melody, wails, and strained breaths dissolve into extended silences, erasing themselves in real time before being built back up into towering columns of resonance."
"Recorded during the early days of the pandemic in an underground tunnel located beneath a shuttered hot pot restaurant, ‘Empty Vessels’ stands apart as a remarkable document of almost architectural sound, in a sense, with the natural reverb of the tunnel asserting itself as a third player in the ensemble. Indeed, the natural acoustics of the space evoke a palpable sense of isolation and uneasiness. Fragments of melody, wails, and strained breaths dissolve into extended silences, erasing themselves in real time before being built back up into towering columns of resonance."
- Matrix / Runout (Side A Runout): HDP8417 A [Hand Drawn Records Logo] Bobbi Welcome to 1979
- Matrix / Runout (Side B Runout): HDP8417 B [Hand Drawn Records Logo] Bobbi Welcome to 1979
$21.99
Patrick Shiroishi / Marta Tiesenga - Empty Vessels - Mint- LP Record 2022 Full Spectrum Vinyl - Avant-garde Jazz / Ambient / Experimental—
$21.99
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Description
Shiroishi / Tiesenga – Empty Vessels
Label: |
Full Spectrum Records – FS107 |
|---|---|
Format: |
Vinyl, LP, Album
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Avant-garde Jazz, Dark Ambient, Experimental |
| A1 | Open Wide, O Earth | |
| A2 | The Clouds That Were My Unfurling Thoughts | |
| B1 | On A Stone Pillow | |
| B2 | The Light Inextinguishable |
- Pressed By – Hand Drawn Pressing – HDP8417
- Lacquer Cut At – Welcome To 1979
- Artwork By – Marta Tiesenga
- Lacquer Cut By – Bobbi*
- Layout – Gretchen Korsmo
- Liner Notes – Lance Garza
- Mastered By [Vinyl Pre-Master] – Andrew Weathers
- Mixed By, Mastered By – Weston Olencki
Recorded live underneath the Jazz Cat in Monterey Park, CA on the 30th of September, 2020.
"Recorded during the early days of the pandemic in an underground tunnel located beneath a shuttered hot pot restaurant, ‘Empty Vessels’ stands apart as a remarkable document of almost architectural sound, in a sense, with the natural reverb of the tunnel asserting itself as a third player in the ensemble. Indeed, the natural acoustics of the space evoke a palpable sense of isolation and uneasiness. Fragments of melody, wails, and strained breaths dissolve into extended silences, erasing themselves in real time before being built back up into towering columns of resonance."
"Recorded during the early days of the pandemic in an underground tunnel located beneath a shuttered hot pot restaurant, ‘Empty Vessels’ stands apart as a remarkable document of almost architectural sound, in a sense, with the natural reverb of the tunnel asserting itself as a third player in the ensemble. Indeed, the natural acoustics of the space evoke a palpable sense of isolation and uneasiness. Fragments of melody, wails, and strained breaths dissolve into extended silences, erasing themselves in real time before being built back up into towering columns of resonance."
- Matrix / Runout (Side A Runout): HDP8417 A [Hand Drawn Records Logo] Bobbi Welcome to 1979
- Matrix / Runout (Side B Runout): HDP8417 B [Hand Drawn Records Logo] Bobbi Welcome to 1979
